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Just the right ingredients of humor, mystery, and action; a ripped-from-the-headlines plot with a twist that adds a real kick; MacRae's series debut will charm everyone who loves Scotland; Coleman is totally fun reading
CRIME FICTION IS ESSENTIALLY ABOUT solving crime, in most cases, involving murder. While this plot structure may seem simple, many writers use it to explore current cultural and social values.
Baker's new Western series launch; DiSilverio's stand-alone thriller keeps readers on the edge of their seats; Wild's atmospheric crime novel is well defined and bound to appeal; fans of historical mysteries will be enthralled by Hart's fascinating latest
Aficionados of comic mysteries will delight in Wurster's laconic, humorous prose; a traditional English country house mystery mixes a bit of supernatural horror and suspense; adventurous readers are in for a hair-raising thrill ride
This month’s offerings include releases from new imprints Crooked Lane Books, Yucca, and Imagination Fury Arts. In addition, stalwarts such as Poisoned Pen Press are providing more content in multiple formats, from large print and audio to digital.
This month’s selections take us from the ballrooms of Gilded Age Newport, RI, to a gritty Boston drug den and on to the halls of political power on Capitol Hill
TRUE DETECTIVE fiction is considered to have begun in 1841 with the publication of Edgar Allan Poe’s short story, “The Murders in the Rue Morgue,” which starred the first fictional sleuth, the eccentric and brilliant C. Auguste Dupin.