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El-Mohtar’s solo debut is a heart-wrenching fairy tale about the bonds of love and family. It’s a murder ballad in book form that will linger long after the final page is turned.
Beck and Connie are wonderful, delightful characters, and their romance will keep readers turning the pages of the latest from Stein.
The author of Where They Last Saw Her brings back Cash Blackbear in a tragic, unforgiving crime novel that emphasizes the perils of the foster care system for Indigenous children.
Thielman’s novel offers something for nearly every reader: art history, the French Revolution, the United States’ westward expansion, a treasure hunt, and of course, murder and a good police procedural set in beautiful Yellowstone National Park. May appeal to fans of Dan Brown, Meg Gardiner, and Ace Atkins.
Between the cheeky humor of TV’s Only Murders in the Building and the grim, psychological recasting of facts through fiction and memory (as exemplified by Gillian Flynn’s Gone Girl), Winstead’s novel breathes life into stories that, the narrator hints, might be better off dead and buried.
McCluskey’s gripping debut features an isolated island with a brooding, storm-tossed atmosphere, reminiscent of Ann Cleeves’s “Shetland Island” mysteries. The violence and collusion lead to a shocking conclusion.
A stellar collection for fans of horror that creates connected mythos centered around the horror of a place (see the work of Josh Malerman), as well as for readers who appreciate illicitly alluring, biting short stories that smack them over the head, of the kind written by Sarah Read and Cassandra Khaw.
Cassidy’s original and thought-provoking take on the werewolf trope will appeal to fans of fast-paced horror featuring strong characterization, such as classic Dean Koontz, the books documented in Grady Hendrix’s Paperbacks from Hell, and anything by Brian Keene.
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