You have exceeded your limit for simultaneous device logins.
Your current subscription allows you to be actively logged in on up to three (3) devices simultaneously. Click on continue below to log out of other sessions and log in on this device.
Redfearn's second novel (after Hush Little Baby) is a riveting story that will have readers wishing it could be even longer, especially with an ending that feels too neat and too rushed.
In her private detective, Cha has created a worthy modern entrant into classic L.A. noir fiction. An excellent choice for fans of Sue Grafton—Song shares many traits with Grafton's Kinsey Millhone, including doggedness, earnestness, and pragmatism. [See Prepub Alert, 2/23/15.]
Funny and whip-smart about the modern book world, Willett's novel is also profound and touching on relationships, aging, and self-reflection. Absolutely recommended, whether or not you read The Writing Class, and especially if you're a voracious reader or a writer, a publisher, a critic, or a book blogger. [See Prepub Alert, 1/25/13.]
Reminiscent of the works of John Irving, with its close-knit but oddball family, weird tragedy at regular intervals, and its very dark sense of humor, this is an engrossing and rewarding read.
Pekkanen (These Girls), switching among the four narrators, is deft at finding each woman's voice, displaying all sides of eventual conflicts. Her strong narrative pulls the reader steadily through the book, with tension mounting as the weather worsens and real danger arrives in the form of a hurricane. A solid entry in the "women's fiction" genre (aka chick lit that skews slightly older).
Because Pekkanen's characters are sympathetic and familiar, readers are likely to identify with aspects of each protagonist. Fans of Jennifer Weiner, Sarah Dessen, Liza Palmer, and Emily Giffin will strongly appreciate this smart novel by a rising star in women's fiction.