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Subverting the conventions of the late 19th–early 20th century novel of the obsessed European venturing into the jungle, Haber (Deathbed Conversions) has crafted a knowing (and perhaps at times too knowing) parody of the genre. Combine its brevity with its main character’s mania and almost religious elevation of melancholy, and the book might best be described as Heart of Darkness viewed in a fun house mirror.