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The 12 stories that make up MacLaverty’s seventh collection emphasize his mastery of image, characterization, and dialogue. He remains one of the most graceful storytellers in modern literature.
Rooney’s third novel deals with some of the emotional dynamics and ideas explored in Conversations with Friends and Normal People but expands and enriches them by depicting human dramas against vast historical backdrops, amplifying art’s essential status in human life. Once again, she has written a masterly and significant work of fiction that is both traditional and innovative.
Dublin-based songwriter Hession has written a tender and hilarious debut. The title characters are unforgettable, and their shared amazement of the world is a gift to readers. Essential reading, especially in these times.
Doyle’s latest novel (after Smile) brilliantly highlights his ear for speech, especially the recursive fluency of inebriation. Narrated by Davy, this novel is a tough and tender celebration of the complexities of authentic friendship, as well as the ephemeral nature of memory. [See Prepub Alert, 12/2/19.]
Thematically and stylistically, McBride’s third novel boldly departs from previous work, especially her stunning debut, A Girl Is a Half-Formed Thing. McBride narrates this story of a mature woman in a considered, crafted voice that suggests language can be both subterfuge and cover. [See Prepub Alert, 11/4/19.]
Enright’s sixth novel (The Gathering) presents a subtle, nuanced portrait of a complicated relationship. Norah’s voice is credibly pitched to transmit yearning, resignation, and understanding in varying intensities, always amplifying her compassion for Katherine and the people pulled into her orbit.