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McKay’s life remains in shadow; her legacy awaits a comparative assessment of the contributions of her contemporaries to Black feminist studies and African American literature.
Dillon’s riffs on his chosen sentences are often impressionistic, meandering, and thin, resulting in a text riddled with misconceptions, albeit from an especially energetic, literary mind.
Replete with editor Hamilton’s masterly and well-researched footnotes, this will be an indispensable gloss to the reading and interpretation of The Dolphin.
While the translation is intermittently turgid and labored, this nonetheless mostly fluid and serviceable volume from a writer little known to American readers is sure to enhance collections of Eastern European literature.