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This collection is a worthwhile companion to similar books of "the best in film," e.g., Roger Ebert's The Great Movies and Gail Kinn and Jim Piazza's The Greatest Movies Ever. Recommended for the casual movie fan as well as the serious film student.
This well-researched book is essential for both film enthusiasts and World War II aficionados. [See Prepub Alert, 9/1/13.]All five directors are featured in individual titles as part of the University of Mississippi's "Conversations with Filmmakers: Interviews" series. Other books to consider: Thomas Doherty's Projections of War: Hollywood, American Culture, and World War II ([Film & Culture] Columbia Univ. 1993); Clayton Koppes & Gregory D. Black's Hollywood Goes to War: How Politics, Profits, and Propaganda Shaped World War II Movies (Free Pr. 1987); Frank Capra's The Name Above the Title: An Autobiography (Macmillan. 1971; Da Capo. 1997); Joseph McBride's Searching for John Ford (Univ. of Mississippi. 2011); John Huston's An Open Book (Da Capo, 1994); Marilyn Ann Moss's Giant: George Stevens, a Life on Film (Univ. of Wisconsin. 2004); Gabriel Miller's William Wyler: The Life and Films of Hollywood's Most Celebrated Director ([Screen Classics] Univ. of Kentucky. 2013); Jan Herman's A Talent for Trouble: The Life of Hollywood's Most Acclaimed Director: William Wyler (Putnam. 1996).
A must-read for music, dance, and pop culture enthusiasts. This is a slice of American history that will delight former ST viewers and educate millennials about its groundbreaking significance.
A well-referenced, well-researched contribution to any film studies collection. It belongs on the same shelf as Lawrence J. Epstein's American Jewish Films: The Search for Identity, Nathan Abram's The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema, and Kathryn Bernheim's The 50 Greatest Jewish Movies: A Critic's Ranking of the Very Best.