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It is no reflection on Krefft's accomplishment that this may be more than most casual readers need to know about the man whose name lives on in 20th Century Fox. For those desiring less in-depth coverage, Merrill T. McCord's recent William Fox and the Fox Film Corporation may be a suitable alternative.
With this book, there is some fun in reading about long-forgotten performers and films. The rubric of drive-in movies is seemingly a convenient way of gathering all this together. Recommended for film lovers everywhere.
Although many could quibble about the films included, some of which were critically panned and poorly performed, Taylor makes a very reasonable case for reexamining each one, assisted by a most readable writing style.
The lack of significant new material and the padded, pedestrian style of the writing make this a less than compelling addition to the Todd canon. It would probably be of interest only to those not previously knowledgeable about the actress's life and death.
Any addition to the Garland canon is welcome, especially when it uncovers obscure material, but this does little to separate fact from fiction, and will likely be skimmed more than read in its entirety. Movie buffs, especially Garland fans, may find parts of it entertaining.
Despite the pedestrian writing style, the insider's view that Wagner provides may well appeal to nostalgia buffs, and he does offer the occasional illuminating insight on that long-vanished time.
This eminently accessible, often riveting account of a little-understood chapter in American cinema history should appeal to a wide general readership.
This is more Evans's memoir than it is Ava Gardner's, and when it focuses on his own feelings and reactions—which it often does—it is not particularly interesting. [See Prepub Alert, 1/6/13.]