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Some of the heavily theoretical art-historical language might be impenetrable to lay readers, but Skov also describes incendiary punk artworks in vivid detail and with an eye for humor. The book is equally for scholars and for punk kids in cities with DIY music scenes.
The subject matter might have narrow appeal, but general readers can gather inspiration or motivation from reading about Yamasaki’s and Beal’s rigorous work; in this way, this book recalls art historian Douglas Crimp’s Before Pictures, another mélange of memoir and theory.