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This is a difficult topic, but timely given current debates around public representations that celebrate the Confederacy. Though many of the book’s images depict violence and abuse, Stephens brings to light essential research that will be of interest to scholars of American history and art.
While generously illustrated to elucidate the text, this is no coffee table book for casual readers. It’s a deeply researched, important contribution to the study of art history, with relevance to disciplines beyond the study of African art.
Accessible and non-scholarly in tone yet comprehensively sourced, this book will serve as a source of enlightenment and inspiration for a wide audience.
Based on deep research in Knoll’s papers at the Smithsonian, the Cranbrook Institute, and the Knoll Associates Archives, this close look at Knoll’s career makes its case soundly.