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Atwood’s fans will certainly want to listen to this. She has such a singular voice that she leaves audiences wanting to hear more of her. Recommended for all public libraries, especially those where essays and short stories are popular.
Atwood’s flare for precise metaphor in no way softens her delivery, as when she observes “We are a dying symphony.” Combining the wit of Dorothy Parker with the wisdom of Emily Dickinson, Atwood adds a steely grace and richness all her own. If there is beauty in despair, one may find it here.
If The Handmaid’s Tale chills to the marrow, its sequel surges along with a sort of dark ebullience, absorbing as a thriller and ultimately hopeful even as it highlights the dangers that always lie in wait. [See Prepub Alert, 3/4/19.]
This rollicking satire contains messages about finding your own tribe, and will appeal to teens and adults of many social stripes. Note droll byplay about multispecies libidos. The concluding volume is due out in July.
For the inventive cursing alone (17th-century vintage only), this Tempest should find favor with most literary audiences, including YA readers; AP English students might be especially grateful. ("The play's final rendering might be a bit over the top, but the narrative as a whole is so inventive, heartfelt, and swiftly rendered as to expunge any doubts. Highly recommended": LJ 9/1/16 starred review of the Hogarth hc.]