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Though Chang finally concedes that “My error was to become what / I wanted to be, not its tone,” there’s no easy understanding here. She’s grappling, and readers will too, but her refusal to trade in cliché makes this book stand out.
Often incorporating short declarative sentences, Chang’s poems can veer toward being list-like but move forward quickly to endings that surprise and even amaze as they burrow deep into those grieving places all of us have experienced. Recommended for most collections.