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Gunn acknowledges that there are more academic treatments of this subject available; his history is explicitly meant for general readers. A chatty, popular fashion history, this book is great fun and best for those interested in an introduction to the past lives of what we wear.
Cuno treads ground that will be familiar to readers versed in museum studies; nevertheless, this is a wide-ranging but pithy discussion of museums' place in the postcolonial, postmodern world. Accessible enough for avid museum-goers and college seminars.