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This fast-paced novel, narrated in alternating chapters by Nate and Jenny, has twists and turns that’ll keep readers guessing. Recommended for readers who enjoyed Parks’s other stand-alone works, as well as fans of Harlan Coben and Linwood Barclay.
Parks, better known for character-driven mysteries, ventures into Michael Crichton and Blake Crouch territory with a procedural thriller with an sf edge and a ton of heart that leads to an explosive (and emotional) finale. Even though Parks’s staccato writing style, where every sentence is a potential paragraph, takes some getting used to, this should satisfy a wide swath of readers.
This novel packs on the suspenseful surprises and plot reversals that made Parks a mainstay on the best-seller lists, but it's not just gritty and dark. With a lighter approach, Parks focuses on enduring characters and sharp wordplay, perfect for those who like their thrillers witty rather than bloody. Even if they aren't fans of Broadway musicals, readers will want to seek out this one. [See Prepub Alert, 9/17/18.]
Another winning tale of domestic suspense from the Shamus- and Nero Award-winning author Parks, who knows how to get readers to empathize emotionally with his characters while amping up the tension and suspense from the first page.
Parks's (The Fraud) previous novels have been good, but this is his best to date. Fans of Harlan Coben and Lisa Gardner will love this thriller. Don't stay silent, tell everyone.
Parks, a gifted storyteller (with shades of Mark Twain, or maybe Dave Barry), shows his mastery of the comic absurd behind serious journalism in his fifth outing (after The Good Cop).
Parks's award-winning series is essential reading. This fourth entry (after The Girl Next Door) is a fine blend of suspense, bumbling-with-a-purpose detecting, and a chatty, humorous tone that the author makes seem effortless. [See Prepub Alert, 10/08/12.]
Zany characters, witty dialog, and a plot that races to a bang-up finish are guaranteed to have readers cheering for the good guys. Parks's sequel to his acclaimed debut, Faces of the Gone, is as good if not better. Think Lisa Scottoline meets Richard Yancey. [Library marketing.]