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While this edition remains a useful resource, libraries with the sixth edition may opt not to replace it and might consider acquiring Fred Schlipf, Joe Huberty, and John A. Moorman’s encyclopedic Practical Handbook of Library Architecture as a companion.
The precise, descriptive, and objective prose contrasts with the AIA Guide to New York City’s frequently arch comments. For all readers interested in New York’s built environment.
Architectural history scholars and advanced students of Latin America will benefit from this work, but the exhibition catalogues Condemned To Be Modern and Access for All: São Paulo’s Architectural Infrastructures will serve most readers better.
For all architectural history students and urban designers, who might read Hilary Ballon’s complementary The Greatest Grid: The Master Plan of Manhattan, 1911–2011 alongside the guidebook.
Some selections come from conceptual artists and fall well outside of realistic design applications, and this effort would have greater impact if limited to pragmatic solutions. Still, the original concept makes this a sound choice for most design collections.
With interviews often meandering into the overly personal and with incidental-seeming uncaptioned photographs (their compelling views and dramatic cropping notwithstanding), this book would be more rewarding as a series of video tours.
While in its focus on two Breuer clients, this book pairs well with Leonard Eaton’s Two Chicago Architects and Their Clients, Crump’s film tells a more compelling story of self-indulgent libertines who nonetheless became patrons of important work. Joachim Driller’s Breuer Houses (more comprehensively illustrated with floor plans) offers a deeper architectural understanding, but used in tandem with Syracuse University’s Digital Archive, Crump’s book is a worthy addition to larger architecture collections.