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This new work from the award-winning Shipstead (Seating Arrangements) justifies its length, by its intricately designed plot and by giving its compelling cast of characters room to breathe. As Hadley learns some of Marian’s secrets (the ones that weren’t in the script) readers will wonder how much we can truly know anyone. Highly recommended.
Recipient of the Dylan Thomas Prize and the Los Angeles Times Book Prize for first fiction for Seating Arrangements, Shipstead moves her story back and forth in time with the same seamless precision found in the details of a beautiful ballet, capturing the brutality of the training, the impossible perfection on stage, and the messy fallout that erupts when personal and professional lines blur. Expect renewed interest in her first novel. [See Prepub Alert, 10/28/13.]