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This stellar book is about how filmmakers simplify the bloody business of war and why audiences buy into it. Readers who enjoy vigorous arguments and good writing will love this book.
Thomson’s own genius is his ability to remain one of the leading authorities on cinematic history, without shying away from the controversial. Cinephiles seeking provocative arguments will appreciate his work.
Thomson leads readers on a meandering path, never successfully reaching a conclusion. However, the journey isn’t unpleasant and Thomson is a reservoir of film knowledge.
Cinephiles with critical eyes will get the most out of this exploration of "beauty on screen, desire in our heads, and the alchemy they make in the dark." [See Prepub Alert, 8/27/18.]
Thomson's discussion of a "crowded medium" can feel haphazard at times, and frequent references to current political figures seem tacked on in an otherwise readable examination of this pervasive medium over the past 60 years.