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Lerner’s fiction debut, which was longlisted for the Center for Fiction First Novel Prize, exceeds at depicting the damage that one family member’s mental illness can wreak on others, but some readers may want even more coverage of the sisters’ relationship with each other.
A remarkably resonant portrait of everyday lives in Ireland. Barrett’s gritty and raucous first novel features the hallmarks of his acclaimed short story collections Homesickness (a New York Times Best Book) and Young Skins: linguistic dexterity in the service of fully realized characters and vivid depictions of hard-scrabble small-town Irish life.
Oliver uses subtlety and nuance like a knife. These stories reveal a writer who was willing to explore and stretch, telling honest, bared-open stories of her time and now of ours.
Most reminiscent of William Carlos Williams’s In the American Grain or Charles Olson’s Call Me Ishmael, Solares’s book feels fresh and vital, unencumbered by rectitude or solemnity, proposing and digressing with abandon, because, as he reminds readers, in the end, the digressions are the point.