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Groner (Exiles) offers a contemplative take on the postapocalyptic genre that leaves room for hope but doesn’t stint on realism. This novel reads like Cormac McCarthy’s The Road meets Robert M. Pirsig’s Zen and the Art of Motorcycle Maintenance; highly recommended.
Min’s debut will be appreciated by readers who relish the joy of discovery and piecing information together to shape the characters and events in their own minds. It is an intriguing portrait of a fragmented family where nothing is ever quite what it seems. A strong option for book groups.
A beautiful exploration of a human/wild animal relationship that intertwines Raven’s musings about her past, present, and future into a mostly factual, at times imagined, whole that will appeal to readers who enjoy natural history essays, memoirs, foxes, the American West, or stories about women discovering themselves.
The purpose of this memoir, which is highly recommended for all spirituality collections, is not to impress but to inspire readers to find a thread connecting them to humanity and the courage to explore the many facets of oneself. A cross between Paramahansa Yogananda’s Autobiography of a Yogi and Pema Chödrön’s When Things Fall Apart, this more than succeeds.
Hurwitz identifies her audience as Jews who are seeking a reconnection with Judaism or people looking to convert, though readers who enjoy exploring spiritual memoirs and perspectives on religion from nonclergy will also find this to be an intriguing account.
McHugh, whose debut, The Weight of Blood, won an International Thriller Writers Award for Best First Novel, delivers a disturbing story of an entire dysfunctional community affected by opioids. Fans of Julia Keller’s “Bell Elkins” books will appreciate this sobering, hard-hitting mystery. [See Prepub Alert, 2/11/19.]
With charming sketches of the various mushrooms Woon encounters, this moving memoir explores one woman’s journey through grief and will please fans of personal narratives as well as those who may be interested in mushroom foraging.