Fantagraphics
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PREMIUM
Caravaggio: The Palette and the Sword, Vol. 1
Manara combines figures rendered with sensuous minimalism and intricately detailed backgrounds to create a sense of deep immersion in 16th-century Rome in this enthralling tale of the legendarily volatile “Master of Light and Shadow.”
Joe Galaxy
Whether he’s foiling an invasion by the Empire of Lizards, fighting sandworms in Antares to work off his debts, or matching wits against a race of butterfly- and onion-eating Icemen, Joe’s hardboiled attitude and penchant for swashbuckling make every page of this volume a captivating and thrillingly absurd adventure in itself.
PREMIUM
Jessica Farm
An exhilaratingly horrific tour de force. There may not be another creator of horror stories working in comics, film, or prose today who comes even close to rivaling Simmons’s ability to evoke an atmosphere of menace and dread.
PREMIUM
Hogbook and Lazer Eyes
This brief, visually rich graphic novel evokes an imperfect, appealing vision of domestic harmony.
PREMIUM
You and a Bike and a Road
Davis evokes each episode of her long journey with perfectly chosen, keenly observed details and raw honesty, providing a sense of intimate insight into her life, mind, and creative process.
PREMIUM
Anna
Oberländer writes a graphic novel that is quirky in tone and execution, but readers in search of deeper commentary about feminism, body positivity, and intergenerational trauma might be left unsatisfied.
My Favorite Thing Is Monsters, Bk. 2
Fans are likely to find this gorgeously illustrated, uniquely immersive conclusion to Karen’s story well worth the wait.
Search and Destroy, Vol. 1
Kaneko retains Tezuka’s relentless pacing, flair for melodrama, and thematic focus on justice, corruption, and individuality within an oppressive society, while integrating elements of body horror and an increased focus on the unsustainability of societies where vital resources are controlled by a thriving minority, to the detriment of the masses.
What We Mean by Yesterday: Vol. 1
Marra employs a loose, somewhat sketchy cartooning style that’s perfectly matched to his fast-paced, seemingly intuitive plotting. An occasionally shocking, sometimes nightmarish, completely unpredictable satire of modern masculinity.
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