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Meeuf provides evidence of underlying social and political themes in an often-dismissed genre in this thought-provoking work that will be appreciated by fans of the format and by scholars studying the cultural effects of the first Black presidency.
This intriguing study of Baker’s cinematic work is likely to appeal to scholars of film and Black history but will be of little interest to general readers.
Of primary interest to Spender scholars, this long-lost volume also offers poetry lovers a glimpse of a budding modernist mind fully engaged with “the anguish of beauty and the anxieties/ of pleasure.”