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Though Bennett’s poems seem effortless in their lyric grace (“the vanishing/ world of living things no louder than the sound/ of insects whimpering in their dust-sized sorrows”) and organic progressions, they are better described as effortful, given memorable presence by their intimacy, mindful craft, and visionary pursuit. Expect this work to appear on many “best poetry” lists for 2022.
Like Federico García Lorca, an acknowledged influence, Abdolmalekian merges the personal with the political in a semisurreal poetry of troubled nights and harrowing days, exposing the fear and vulnerability we bury with denial, daring to pose the question, “How many times are we born/ that we die/ so many times?” An impressive U.S. debut for a poet whose work invites global recognition.