Dead in Long Beach, California

Coral lives in a world teetering on the brink of destruction. Young people have been handed problems that are impossible to fix in an unsustainable society, and resentment is their general attitude. Some opt out via suicide; others turn to superhero fiction for solace. Coral writes a superhero comic book series to answer the demand, but she is also part of the disillusioned and anxious generation, living at least partially in a fabricated mental world. Then she finds her brother Jay dead in his apartment only minutes after she spoke to him on the phone. While she deals with police, coroners, and burial, she decides to keep Jay alive in the virtual world. She responds to his phone messages as if he is alive; she creates a Facebook page and persona for him; she tells no one that he is dead, not even his daughter. After an excruciating week, she finally comes to grips with her loss. Blackburn sharply captures the longing of the younger generation for a better world, as the angst and disconnect projected via Coral is visceral.