A novelist and librettist as well as a poet, Gale evokes the world of Southern California in her poems. Her subjects include love, sex, family dysfunction, and substance abuse, with many of the poems depicting a rough childhood. She's best when capturing the sensual by using a rush of words to evoke the moment, as in "The Mouth Under the Mango Tree": "he found her lips first skirts light/ mouth wet open let's stop here." In other poems, including "Joe's Napa Girlfriend," the author employs repetition to good effect, "She licked the rim of the glass./ She licked the rim of
my glass.// She gave me room in the bed./ She gave me. She gave me." The finest pieces, including several prose poems, are focused, with nary a wasted word, but too often the tension slackens, and Gale resorts to clichés or overblown language, for example, "To the/ white pillared beauty of her girlhood before the gods/ spanked reality into her bones leaving her speechless." An enticing element of mystery hovers over a few poems. "Shura" begins, "It wasn't a face any more. A broken thing./ Opened wide by time, cavernous washes of memory."
VERDICT Ultimately, this is a mixed collection from a talented writer. The subjects covered are important: the loneliness sometimes underlying erotic encounters, pain caused by parents' abuse, and the heavy pull of the bottle or powder. As Gale describes it in "Living with Ghosts," "There is no way out. What story do you want?"
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