Vásquez's late-1990s sojourn in Belgium and France, far from his native Colombia, provides the setting for these seven stories, which originally appeared in 2001, before his later successes with
The Secret History of Castaguana and the Alfaguara Prize-winning
The Sound of Things Falling. The most important theme here is that of broken relationships, marital as well as familial, with the narratives revolving around episodes of separations and infidelity; in one story, for instance, even as a wife awaits the return of her husband with wood for their stove, he beds another woman, pained by the problems in his marriage. Such episodes are perhaps best summed up by the cynical remark, "Lovers are not made for pondering the consequences of their own actions." In keeping with the title, the stories take place in late fall and involve deaths, emotional as well as physical.
VERDICT These early efforts by a bright new star in Latin American literature stand on their own as examinations of imperfect communication in severely wounded relationships in which love (but not necessarily sex) has long ago disappeared. But despite some clever scenarios and a profound knowledge of hunting (another unifying factor), the sometimes awkward dialog, skeletal plots, and open endings may leave readers dangling.
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