In this comprehensively researched book, film critic Macor (
Rewrite Man: The Life and Career of Screenwriter Warren Skaaren) explores the development and production of the Oscar-winning film, one of the first to address PTSD in war veterans. Fresh from serving as a major in the U.S. Army Air Corps during World War II, director William Wyler chose the film as his final project under contract to legendary producer Samuel Goldwyn. Macor deftly balances an account of Wyler’s wartime hearing loss with the experiences of Harold Russell, a paratrooper who lost both hands, cast in the film’s pivotal role, showing how both men struggled with a loss of confidence and difficulty readjusting to a postwar life. Drawing on interviews with cast and crew, the author reveals the production’s off-screen dramas, including the contentious creative relationship between Wyler and Goldwyn, and Wyler’s brushes with the House Un-American Activities Committee. Though the book is full of juicy Hollywood details, this is ultimately the triumphant story of how Wyler and Russell channeled their trauma into a project that brought personal and professional satisfaction to them and a greater awareness of veterans’ issues to the American public.
VERDICT An eloquent testimony to the power of film.
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