Music theorist Kalkavage (St. John’s Coll.;
The Logic of Desire) takes on the challenge of interpreting music over a long trajectory, from the ancient Greeks to selected composers and writers of the Western world. His book is a revision of several lectures that he delivered and is replete with scores for the musically literate. The explanations in the book’s essential endnotes help, but it lacks a glossary that would make it more accessible to nonspecialists. The essays cover the works of thinkers and practitioners including Plato and Schopenhauer; Palestrina and writers of the Bible; Victor Zuckerkandl’s
Sound and Symbol; Bach’s
St. Matthew Passion; Mozart’s
The Magic Flute; Wagner’s
Tristan und Isolde; Thomas Mann’s
Doctor Faustus; and Francis Poulenc’s
Dialogues of the Carmelites. Kalkavage maintains that music is ritualistic, emphatic, mnemonic, and the most unifying of the arts.
VERDICT A distinctive exploration of the many meanings of music. Best for music theorists and those with a background in philosophy.
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