Straub's stories go down easy, like a remembered conversation with a wise and witty friend. In her debut collection, she establishes characters and situations that feel immediately familiar and draw one in from the start. Many of her first sentences read like overheard dialog from the couple at the next table at the local bistro, but in this case one gets the chance to learn the delicious context. A story called "Rosemary" begins, "Claire didn't want to tell her husband that she'd called a pet psychic." Another, titled "A Map of Modern Palm Springs," features two sisters with a difficult history trying out a vacation together and begins, "The Palm Springs airport was more outside than inside, all sun-soaked breezeways and squinting white people in gold shirts."
VERDICT These stories of love in its various permutations, gone wrong and right, are told with a captivating wryness, reminiscent of the early Ann Beattie, that readers will find tremendously appealing.
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