Documentary filmmaker (including
Trekkies and
Six Days in Roswell) and TV director Nygard (
Cut to the Monkey: A Hollywood Editor’s Behind-the-Scenes Secrets to Making Hit Comedies) intersperses this anecdote-filled handbook with helpful synopses of his and others’ work. Among them are Ken Burns, Charles Guggenheim, Michael Moore, Errol Morris, Frederick Wiseman, and lesser-known figures. He defines a documentary as an audiovisual communication method with a thesis and conclusion reflecting reality. With camera positioning and film cutting, an auteur presents a subjective view through a selection of a primary documentary technique: expository (with narration), unfiltered observational, or participatory (with the filmmaker’s viewable inclusion). He adds reflexive, performative, poetic, and mockumentary methods to this list. The book contains hints for documentarians that are transferable to other professions: employment of agents, contracts, copyrights, lawyers, outlines, referrals, and random chance. Nygard extols film festivals, classes, websites, and social media as opportunities to promote personal brands.
VERDICT Nygard abundantly supplies suggestions for those in the business; casual readers will savor stories about the genre’s history.
Comment Policy:
Comment should not be empty !!!