The setup in this elegant winner of a novel seems so obvious; aren't warning bells sounding for Nora Eldridge? A middle-aged Boston-area elementary school teacher and artist manqué who cuttingly describes herself as "the woman upstairs"—someone who can be depended on to be dependable—Nora is enthralled when sweet, smart, charming Reza Shadid enters her class. His Lebanese-born father has left a post in Paris to teach in America for a year, while his Italian-born mother, the appropriately named Sirena, is an artist of some renown. Together, this worldly, glamorous family seduces Nora, with Sirena especially culpable. She talks Nora into sharing a studio with her, and soon Nora is opening to all the possibilities life has to offer—possibilities she thought were dead and gone forever.
VERDICT This quietly, tensely unfolding story is related in retrospect, so we know from the start that it has ended badly for Nora. The only question is how. Remarkably, Messud (The Emperor's Children) lets us experience Nora's betrayal as if it were our own, and what finally happens really is a punch in the stomach. Highly recommended.
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