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LaRocca gives readers an unforgettable protagonist, a complicated man who will repulse them at first but will ultimately steal their hearts. Suggest to those who like the extreme horror of Paula D. Ashe or the work of Kathe Koja; it’s also a good pick for those looking for intense horror, as seen in What Kind of Mother by Clay McLeod Chapman.
Shaw’s striking stories will connect with a wide range of readers, especially those who like to be simultaneously entertained and asked to think about what they just read, much like in the short fiction of Philip Fracassi and Cassandra Khaw or the novels of Jeremy Robert Johnson.
Knútsdóttir will hook readers with her first title to be translated into English. For fans of disorienting psychological horror marked by extreme tension and familial trauma, such as in The Grip of It by Jac Jemc, My Sister, the Serial Killer by Oyinkan Braithwaite, and anything by Catriona Ward.
Pedersen’s debut skillfully balances character and atmosphere. Recommend to readers who like creepy, methodically paced stories that focus on unease, such as the work of Kevin Brockmeier. Also a good pick for those who enjoy tales that use mythology in a revenge plot, like The Only Good Indians by Stephen Graham Jones.
With her eerie and unnervingly probable plot, strong narrative voice, and focus on the small, beautiful moments of life amid disaster, Trías’s (The Rooftop) tale will continue to haunt readers long after they turn the final page. Pair it with other thoughtful and subtle horror stories such as Sealed by Naomi Booth or Fever Dream by Samanta Schweblin.
Seidlinger’s (Anybody Home??) squirm-inducing and thought-provoking novel spins the fear of the COVID era into something terrifying in a whole new way. Suggest to those who like the immersive discomfort of books like The Seventh Mansion by Maryse Meijer, Things Have Gotten Worse Since We Last Spoke by Eric LaRocca, and This Thing Between Us by Gus Moreno.
Priest (Cinderwich) is popular with library audiences from teen to adult, and her latest will appeal to both. A great suspenseful and twisty story, reminiscent of Hex by Thomas Olde Heuvelt, The Twisted Ones by T. Kingfisher, and The Winter People by Jennifer McMahon.
Coles’s novel is another stellar example of how marginalized voices are taking a perennially popular genre, previously dominated by white characters and authors, and revitalizing it for 21st-century readers in a manner that honors its history but injects brand-new terrors, similar to Mexican Gothic by Silvia Moreno-Garcia and The Hacienda by Isabel Cañas.