Cloud Cuckoo Land

Doerr’s first book since his Pulitzer Prize–winning All the Light We Cannot See, and even grander in conception and delivery, takes its name from an imagined realm referenced in Aristophanes’s play The Birds. In present-day Idaho, Korean War veteran Zeno directs five energetic fifth graders in the production of a play called Cloud Cuckoo Land, which he reconstructed from an ancient Greek novel that he’d translated, even as activist teenager Seymour plans an attack centered on the public library where they rehearse. The play is connected to a young orphan named Anna dwelling in Constantinople as it falls to the Ottomans; a Balkans village boy named Omeir who supports the sultan’s attack with his team of oxen; and Konstance, who decades in the future travels on an interstellar spacecraft headed for exoplanet Beta Oph2. Decidedly outsiders and mostly young people (even Zeno’s plot is partly backstory of his difficult early years), these characters are deftly maneuvered by the capable Doerr. What results is a glorious golden mesh of stories that limns the transformative power of literature and our need both to dream big and to arrive back home in a world that will eventually flow on without us.