Walter Cousins has an institutionalized wife, two kids, and a job to hold down, but he still manages to hire, seduce, and impregnate a British nanny, Diane Burroughs, setting in motion a tale of mythic proportions. Refusing to abort, the wily Diane gives birth to a baby boy, abandons him, and proceeds to shake down Walter for a monthly check that starts her on the road to entrepreneurship. Diane's baby is adopted by Dr. and Mrs. Dan King, who, after forging a birth certificate, perch their Eddie on a pedestal so high he can't help but fall. Walter becomes a serial philanderer, Ed builds an Internet empire, and readers watch in horror as three disparate lives hurtle toward their fate in this uneven reimagining of the Oedipus myth. VERDICT While Diane's character practically jumps off the page, the titular Ed King comes across as a cardboard cutout. What commences as a sophisticated, Franzen-like look at the foibles and dashed dreams of the American family devolves into a melodrama that just doesn't feel authentic. Still, Guterson (Snow Falling on Cedars; Our Lady of the Forest) has a reputation for handling hot-button topics, and his fans will likely clamor for this. [See Prepub Alert, 4/4/11.]—Sally Bissell, Lee Cty. Lib. Syst., Ft. Myers, FL
Walter Cousins has an institutionalized wife, two kids, and a job to hold down, but he still manages to hire, seduce, and impregnate a British nanny, Diane Burroughs, setting in motion a tale of mythic proportions. Refusing to abort, the wily Diane gives birth to a baby boy, abandons him, and proceeds to shake down Walter for a monthly check that starts her on the road to entrepreneurship. Diane's baby is adopted by Dr. and Mrs. Dan King, who, after forging a birth certificate, perch their Eddie on a pedestal so high he can't help but fall. Walter becomes a serial philanderer, Ed builds an Internet empire, and readers watch in horror as three disparate lives hurtle toward their fate in this uneven reimagining of the Oedipus myth.
VERDICT While Diane's character practically jumps off the page, the titular Ed King comes across as a cardboard cutout. What commences as a sophisticated, Franzen-like look at the foibles and dashed dreams of the American family devolves into a melodrama that just doesn't feel authentic. Still, Guterson (Snow Falling on Cedars; Our Lady of the Forest) has a reputation for handling hot-button topics, and his fans will likely clamor for this. [See Prepub Alert, 4/4/11.]—Sally Bissell, Lee Cty. Lib. Syst., Ft. Myers, FL
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