Following two exceptional poetry collections (
Calling a Wolf a Wolf and
Pilgrim Bell) Akbar’s debut novel arrives with plenty of expectation. Yet even within the celebrated history of poets undertaking prose fiction, this title stands out as a work of uncommon artistic assuredness and vibrancy. The sense of life that permeates the novel’s pages is perhaps ironic, given the material concerns Cyrus, a young Iranian American poet in recovery who is consumed by a desire for death, if only he could find surety that his life has contributed value to the calculus of the shared cosmos. But Akbar’s debut is more than mere existential ponderance or addiction saga or tale of arrested development short-circuited by personal calamity—it’s a work that understands, and poignantly, painfully, details how all such narrative threads can only ever be part of the larger story of, what Akbar calls, the “now-ness” of living. As carried through by his poetic pen and perspective, the novel is also rich in humor, sharp observation, and a plea for self-love, and all bleakness balanced by a tenderness that generously insinuates itself like sun through shut blinds.
VERDICT Akbar delivers a delirious but moving portrait of one man’s personal reckoning, the novel’s profound affection for life fully earning its title’s bold exclamation.
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