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Recommended for scholars possessing the requisite musical background and for sophisticated readers interested in the relationship of the arts to the human condition.
This retrospective of modern dance criticism by one of the field’s trailblazers contextualizes the evolution of the art form and how it has been studied. Recommended for collections specializing in modern dance history and scholarship.
The combination of meticulous research and fluent writing makes this title important for anyone interested in Doc Watson or the evolution of old-time, traditional, and folk music over the past 90 years.
A provocative, insightful, disturbing, and well-researched indictment of Spotify, the music industry, and streaming platforms, which daily mine billions of data bits from users to maximize profits and churn out musical formulas. Highly recommended.
Gaynor’s recent passing and the lack of other biographies on her should generate some interest in this volume, but it is primarily a surface-level recounting of her life and work.
A fascinating and exuberant account of hip-hop’s music and poetry, dances, storytelling, breakbeats, and the skills of turntablists. In audio form, Questlove’s sharply observant and vital music history lets listeners tap into the genre’s rhythms and beats and consider what the next decades of hip-hop music and entertainment may hold.
Shandell deftly uses a 21st-century lens to identify specific plays with progressive thought. Theater professors, students, and enthusiasts should take note.
Shields’s fans will particularly enjoy this engaging and down-to-earth memoir. It is also an inspirational and reassuring reminder to all women that even the famous must come to terms with aging.
This attractive and enlightening work is further enhanced by a bonus section of additional film stars, a thoughtful foreword by Jane Fonda, and excellent notes and bibliographic material. A must for film aficionados and historians.
Lalande relies heavily on speculation tinged with Freudian analysis, yet his conclusions about the enduring power of these performances are well worth reading. This is a valuable exploration of these cinematic legends’ impact on film and popular culture.
Caplan highlights a treasure trove of vocalists and creators in this magisterial work that will prove immensely rewarding to serious opera scholars and those studying race relations and sociology in the 20th-century United States.
With a wealth of unpublished juicy material that celebrity mavens will devour, this is a moving and tragic story of how mental illness derailed a stellar career.
This engrossing account of a musician’s transformation is a testament to the healing process and will engage listeners who seek to express their lived experiences without fear.
Readers looking for a comprehensive or easy-reading book on Prince’s career will be better served elsewhere. However, those wanting to take a scholarly deep dive into Prince’s work and its impact on cultural, political, and social subjects will discover unique insights that have not yet been covered in other academic literature.
While Elvis generally credited gospel, R&B, and a few artists by name, he was fundamental in fusing aspects of American culture from disparate racial traditions when segregation was beginning to lift. His appropriation, explored here, remains polarizing.
Matheson is honest and self-effacing when discussing his personal life, and he provides valuable advice for those trying to get into the business. Yes, he does discuss John Belushi.
Filled with tidbits such as the origin of the famous golf swing and humanizing stories of regret over losing his first wife to divorce and his son to a car accident, Zehme expertly fully captures a full portrait of Carson.
Though never pinpointing the reasons for the explosive, major-label success of a rebellious band, which ostensibly distrusted corporate rock, Carlin assembles a solid, much-needed narrative of one of the major alternative rock bands that both complements and updates David Buckley’s 2002 R.E.M. Fiction: An Alternative Biography.
Other than Perkins’s own 1996 autobiography, little has been published about him, and Apter admirably fills the gap with this detailed and emotionally charged biography.
Though his book is thought-provoking, Rowell never thoroughly explains the reasons for the fixation on older music beyond the obvious penchant for comforting nostalgia, easy access to past hits through technology, and corporate greed. An interesting but not entirely satisfying book for rock fans.
A solid pick for public libraries. Devotees of Ephron will find this volume delightful to delve into, while casual cinephiles will enjoy it as a thoughtful analysis of an influential writer-director and her various legacies.
Tepper has fashioned a winning book on the unsung heroines of Broadway musicals that will be appreciated by readers of women’s studies and theater lore.
Written more like a commentary on Fania’s cultural significance to Latin music and Nuyorican culture than an overall history, this work will be of interest to diehard fans of salsa and music professors.
Scholars and queer history readers will gain newfound knowledge and deep flamenco appreciation from Rodríguez’s comprehensive research. This significant contribution to dance scholarship is critical for all performing arts collections.
Well-researched with many absorbing anecdotes and behind-the-scenes accounts, this thoughtful work will provide a fascinating and satisfying read for devotees of Parker and Hollywood history.
Hardcore Deadheads or those interested in the cultural transition from Beat to hippie may find something of value here. Those looking for a more focused history of the beginnings of the Grateful Dead should turn to the early chapters of David Browne’s excellent So Many Roads: The Life and Times of the Grateful Dead.
This fluidly written book illuminates an influential era, asserting that the United States is a singular space where things can happen on a grand scale.
The strength of this memoir is MacDonald’s experiences traveling through the United Kingdom. Recommended for fans of MacDonald’s writing, Leatherface’s music, and the UK punk music scene.
Nussbaum’s well-researched and philosophical discussion of the impact of reality television reveals the influence that it has had, not only on the entertainment industry but on society as a whole. Insightful, unsettling, and thought-provoking.
The backstage story of one of the most successful musicals (nominated for 14 Tony Awards and winner of three) will appeal to theater buffs and fans of Monty Python.
Well-written and thoroughly researched using numerous primary and family sources. Readers who enjoy comedy and entertainment history will find this particularly absorbing.
Lost loyalists will find vindication, but even detractors will be forced to admit that the show’s execution wasn’t as haphazard as the internet suggests.
Sawyers’s command of her subject and fluent style help her integrate various disparate elements into a convincing whole. This is a valuable sociological addition to the ever-growing Springsteen bookshelf.
Cohan successfully shines a light on Hepburn’s talent beyond the fashion icon stereotype, and her fans will appreciate the different perspectives he brings.